SMILE AND SAY, "TACO"

More on how it's done on the jump.
I woke up and made the same salsa I'd tested a few days ago, a recipe for Salsa Fresca from Mark Bittman's book, "The Best Recipes in the World," (p.610).

When I arrived at the photographer's house I realized I'd forgotten the head of lettuce and the avocado in the fridge so they had to be procured while I warmed up the food in the oven. I got there at about 11:45 a.m. and didn't end up leaving until about 3:30 p.m. that afternoon.
The setup was a low table covered with white paper. In the middle of the table the food was shot. Around the center where the food is placed is a white wall corner that that casts a small shadow until the picture is taken and the flash goes off.

The photographer, John Lei, said he wasn't used to tasting food used in a shoot that was actually seasoned as the seasoning doesn't bare much relevance to the shoot. I'd imagine that it would when it comes to close ups of food, roasts that have been cooked with a rub, in any event while I'm not naive that all kinds of tricks are used in food styling from glue and hairspray to cardboard and paper, but I can't imagine doing a shoot of food for a recipe without using the real thing.
Overall, I was happy with the way the food looked, though the steak definitely looked better on the second day than the pork or the chicken.

It will be interesting to see the finished result on the Wednesday cover!
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